SECONDARY SOURCES
GENERAL ENAMEL SOURCES
V &A links on enameling
Joanna Whaley’s gem article from the V&A:
“The Early Painted Enamels of Limoges in the Walters Art Museum: Historical Context and Observations on past Treatments” __http://www.jstor.org/stable/3180073?Search=yes&resultItemClick=true&searchText=enamel&searchText=recipes&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Denamel%2Brecipes%26amp%3Bacc%3Don%26amp%3Bwc%3Don%26amp%3Bfc%3Doff%26amp%3Bgroup%3Dnone&seq=1#page_scan_tab_contents__
“ANALYTICAL INVESTIGATION OF EUROPEAN ENAMELED BEAKERS OF THE 13TH AND 14TH CENTURIES”__http://www.jstor.org/stable/24190777?Search=yes&resultItemClick=true&searchText=enamel&searchText=recipes&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Denamel%2Brecipes%26amp%3Bacc%3Don%26amp%3Bwc%3Don%26amp%3Bfc%3Doff%26amp%3Bgroup%3Dnone&seq=1#page_scan_tab_contents__
“Between Original and Imitation: Four Technical Studies in Basse-Taille Enameling and Re-Enameling of the Historicism Period”__http://www.jstor.org/stable/25161461?Search=yes&resultItemClick=true&searchText=enamel&searchText=recipes&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Denamel%2Brecipes%26amp%3Bacc%3Don%26amp%3Bwc%3Don%26amp%3Bfc%3Doff%26amp%3Bgroup%3Dnone&seq=2#page_scan_tab_contents__
“THE TECHNIQUE OF GLASS PAINTING IN MEDIÆVAL AND RENAISSANCE TIMES” http://www.jstor.org/stable/41341598?Search=yes&resultItemClick=true&searchText=enamel&searchText=recipes&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Denamel%2Brecipes%26amp%3Bacc%3Don%26amp%3Bwc%3Don%26amp%3Bfc%3Doff%26amp%3Bgroup%3Dnone&seq=1#page_scan_tab_contents
Frick Collection
Leonard Limousin’s pieces: (he used a lot of blues in the portraits)
Met Collection
BOOKS
Decoration, Cooper Union Museum for the Arts of. Enamel, an Historic Survey to the Present Day. New York: Cooper Union, c1954.
Gauthier, Marie-Madeleine. Medieval Enamels : Masterpieces from the Keir Collection. London: British Museum Publications, c1981.
Museum, Victoria and Albert. A Picture Book of Medieval Enamels. London: Author, 1927.
Speel, Erika. Painted Enamels : An Illustrated Survey 1500-1920. Burlington, VT: Lund Humphries, 2008.
La Niece, Susan., Rohrs, Stefan., and McLeod, Bet. The Heritage of “Maître Alpais” : An International and Interdisciplinary Examination of Medieval Limoges Enamel and Associated Objects. London: British Museum, c2010.
Walters Art Gallery (Baltimore, Md ). Painted Enamels of Limoges. Baltimore: Walters Art Gallery, c1968.
Wardropper, Ian. Limoges Enamels at the Frick Collection. London: In association with D Giles Limited, 2015.
Enamel Biblio. From BRILL
David Humphrey. "Enamel." Encyclopedia of Medieval Dress and Textiles. Brill Online, 2016. Reference. Columbia University. 18 March 2016 <__http://referenceworks.brillonline.com.ezproxy.cul.columbia.edu/entries/encyclopedia-of-medieval-dress-and-textiles/enamel-COM_294__> First appeared online: 2012
Arminjon, C. and Bilimoff, M., L'Art du Métal. Vocabulaire technique (Paris: 1998), 188, 196, 202, 208.
Blair, J. and Ramsey, N., ed., English Medieval Industries: craftsmen, techniques, products (Hambledon: 2001), 126-131.
Bowman, S. G. E. and Stapleton, C. P., 'The All Souls Jewel: the enameller's art, deliberate or accidental tinting?', Jewellery Studies 8 (1998), 1-10.
Campbell, M., An Introduction to Medieval Enamels (London: 1983).
Cherry, J., 'The Dunstable Swan jewel', Journal of the British Archaeological Association 32 (1969), 38-53.
Hawthorne, J. and Smith, C., intro. and transl., Theophilus, On Divers Arts (New York: 1979), 126-8.
Lightbown, R., Medieval European Jewellery (London: 1992) 34-5, 45-6, 50, 113, 117, 471-2.
Maryon, H., Metalwork and Enamelling (New York: 1971), 169-99.
Blue Enamels:
“Blue Enamel on Sixteenth- and Seventeenth-Century Window Glass: Deterioration, Microstructure, Composition and Preparation” http://www.jstor.org/stable/20619450?Search=yes&resultItemClick=true&searchText=enamel&searchText=recipes&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Denamel%2Brecipes%26amp%3Bacc%3Don%26amp%3Bwc%3Don%26amp%3Bfc%3Doff%26amp%3Bgroup%3Dnone&seq=1#page_scan_tab_contents
Optics and Surface
3.19 mtg with Joseph Ackley (Medieval metal surfaces scholar)
- 12 c. is the start of alchemy but it blossoms in the 14th adn 15 th c b/c that coincides with when metals become complex (alloys)--> the exception is Byzantine and Islamicate
- The first islamic text is translated into Latin circa 1140→ who is this related to the rise of metal inlay?
- See Allie Stielav for Early Modern Metal Plate “The Weight of Plate”
- Try also Tim Husband and rd. Marian Rosserowen’s “Shine Like the Sun” on islamic metal arts of spain
- See reflets d’or <--Cluny museum
“Exploring the Optical Properties of Picture Varnishes Using Imaging Techniques”, Roy S. Berns and E. René de la Rie, Studies in Conservation Vol. 48, No. 2 (2003), pp. 73-82 Stable URL: http://www.jstor.org/stable/1506792